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 The Seduction of Ingmar Bergman

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labecki

labecki


Сообщения : 261
Дата регистрации : 2010-12-08

The Seduction of Ingmar Bergman Empty
СообщениеТема: The Seduction of Ingmar Bergman   The Seduction of Ingmar Bergman EmptyПт Май 03, 2013 6:32 pm

Последний на сегодняшний день непереведённый альбом

1. "1956 Cannes Film Festival"
2. "'I Am Ingmar Bergman'"
3. "Limo Driver (Welcome To Hollywood)"
4. "'Here He Is Now'"
5. "'Mr Bergman, How Are You?'"
6. "'He'll Come 'Round'"
7. "En Route To The Beverly Hills Hotel"
8. "Hollywood Welcoming Committee"
9. "'I've Got To Contact Sweden'"
10. "The Studio Commissary"
11. "'I Must Not Be Hasty'"
12. "'Quiet On The Set'"
13. "'Why Do You Take That Tone With Me?'"
14. "Pleasant Hotel Staff"
15. "Hollywood Tour Bus"
16. "Autograph Hounds"
17. "Bergman Ponders Escape"
18. "'We've Got To Turn Him 'Round'"
19. "Escape (Part 1)"
20. "Escape (Part 2)"
21. "'Oh My God'"
22. "Garbo Sings"
23. "Almost A Hollywood Ending"
24. "'He's Home'"
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labecki

labecki


Сообщения : 261
Дата регистрации : 2010-12-08

The Seduction of Ingmar Bergman Empty
СообщениеТема: Re: The Seduction of Ingmar Bergman   The Seduction of Ingmar Bergman EmptyПт Май 03, 2013 6:33 pm

[CANNES FESTIVAL ANNOUNCER:]
Mesdames et messieurs! Le Prix de l’humour poétique du
festival du film de Cannes 1956 est décerné à Ingmar Bergman
pour Sourires d’une nuit d’été!

Ladies and Gentlemen, the winner of the 1956 Cannes film
festival Best Poetic Humour Award is Ingmar Bergman’s Smiles
of a Summer Night!

Mina Damer och Herrar – Utmärkelsen Prix de l’humour
poétique vid 1956 (nittonhundra femtiosex) Cannes Film Festival
tilldelas Ingmar Bergmans “Sommarnattens leende”.
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labecki

labecki


Сообщения : 261
Дата регистрации : 2010-12-08

The Seduction of Ingmar Bergman Empty
СообщениеТема: Re: The Seduction of Ingmar Bergman   The Seduction of Ingmar Bergman EmptyПт Май 03, 2013 6:34 pm

I am Ingmar Bergman

[INGMAR BERGMAN:]
I am Ingmar Bergman.
You may or may not know my films.
You may or may not know anything about me as a person.

Still, the strange events following the warm and unexpected
reception to my film Smiles Of A Summer Night are something
that no one has known about – until now.

Good, Evil, God, the Devil, Life, Death – these were my usual
concerns. This film, though, was a comedy. A comedy! How far
from a comedy the events to follow would be.

Have you ever felt compelled to do something against your will?
I have. I have.

You see, I have a total disdain for escapist art, and yet why, on
that cold May afternoon in Stockholm in 1956, did I feel the need
to enter that movie theater to see escapist art of the worst sort,
a typical American action film…well, the title is not what is
important. What is important is that I felt compelled to watch
that film, against my will, for 90 long minutes.

Why?

Was it the urge to partake of something mindless?
Was it the urge to indulge in something vacuous?
Was it the urge to do something…unlike Ingmar Bergman.

And, as the film finally ended, I walked to the exit as quickly as I
could and onto the street – but not the street I expected.

“What is this? Where am I?”

[LIMO DRIVER:]
Mr. Bergman, sir, welcome to Hollywood.
Your limousine awaits. Please, get in. Watch your head.
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